The frieze tells the tale of what it was like to go to Spitsbergen as a miner. It begins with a picture of the miner sitting rather dejectedly on the quay in Harstad, ready for departure; his wife stands weeping at his side. They know it may be a year before they see each other again.
The next four paintings show life underground. The mine train heading into the mine, construction of reinforcements and props, and a nasty train accident with derailed cars and locomotive.
The series ends with a picture where one half shows a man running a drill while another man hunches near the wall, apparently lost in thought. Maybe it is his daydream we see in the other half of the picture, where a pair of lovers are sitting on a bench watching the sun go down over mainland Norway.
Martin Barlund lived in Svalbard for many years and was described as a Renaissance man. Among other things, he built what is considered Svalbard’s first snowmobile, and constructed a scraper for use in the mine. He also drew cartoons for Svalbardposten for several years.